Agent Percash: Rewind takes place in the “Agent Percash Universe”, a franchise created by London-trained, Adelaide-based creative director Joe Russell, and executed by his youth production company Now Productions. The Percash Universe was originally conceived in Joe’s youth, a character imagined from childhood games, cherished and developed into a four-part film series that takes us through jailbreaks, double agents, and even time travel!
Coming into the franchise in its finale was a very unique experience. The film began with a helpful - if lengthy - plot recap that attempted to fill in the blanks of the world crafted to this point. These films are certainly not stand-alone, though the spy-genre beats (half James Bond, half Austin Powers) transcended any plot obstacles. We follow the heroes of the Australian Secret Service, lovingly referred to as “ASS”, and several rogue members of the police force as they track down notorious mastermind Le Marc and his team to halt their evil plans once and for all.
The highlights of the first act came from some clever sound design which invites the audience into a suspension of disbelief, looking past the young actors filling the diverse range of roles, and focusing us on the drama and action packed into the film. A mix of 007 smooth Jazz and Inception-like blaring brass sections give this film a unique flavour and mood.
The fight choreography of the opening scene was smooth and well-executed, a hand-to-hand style that the rest of the movie could have benefited strongly from, instead of the zany gun discipline of most characters which wore down the drama of the weapons over time. This film truly shines in the action sequences: sneaking through the aisles of a warehouse, guns drawn, the audience tensely anticipating every turn of the corner. The suspenseful build up of action was an excellent example of the best of the spy-movie genre.
Long panning single shots peppered throughout the film were the cinematic highlight, a modern trend dexterously executed by the team. Small technical difficulties like clipping audio and lack of coverage in some dialogue scenes were overcome by the sheer talent of the young cast.
Calleigh Grieger as Constable Lucy Jensen and Connor Russell as Jerry Chambers shared an excellent on-screen chemistry which comfortably carried the plot. Dialogue was natural and clear, and these actors created well-developed characters that were easy to empathise with and root for. Looking forward to seeing more from these two.
Kane Mobbs as The Chief and Maisy Jo Russell as Agent Percash often provided some refreshing banter and comic relief in their antics, their experience and leadership of the situation emphasised masterfully by incredibly detailed scar makeup (courtesy of Kylie Mobbs). Joined by the bold and loveable Hayley Henke as Agent Jessie Gold, she rounds out the kickass team incredibly well, especially when confronting - well, herself!
Contrastingly, the stoic duo composed of Adam Roling as Adam Andrews, and Zoe Mayes as Julie Bishop strode confidently through the story, bent on revenge. Their unwavering focus and drive were well-portrayed and I found myself both devastated and delighted by their arc’s conclusion. This storyline did not shy away from the grizzly details, and looking down the barrel of the gun was one of the most powerful moments in the film, carried expertly by this great pair of actors.
On the side of the villains, Isabelle Trezise as Gards, despite her short time on screen, was extremely menacing and powerful, a real presence that radiated through the screen. I struggled to keep my cheer silent when she uttered her final line - great stuff. Meanwhile Alex Richardson as Le Marc presented a well-rounded multi-dimensional character that was a very good example of twisted motives with an underlying sadness that the audience could easily empathise with. A difficult needle to thread, but one very dexterously achieved by Richardson.
A late addition to the action, Lali Wagland as scientist Toni Francs instantly earned their place as one of my favourite characters in the film. Evocative of the Abby Sciuto’s and Penelope Garcia’s of golden-age TV procedurals or (perhaps more recently) the loveable quirkiness of She-Ra’s Entrapta, Wagland’s sassy, intelligent portrayal of the character endeared me enough that I was intrigued at the brave introduction of time travel into a spy film.
Despite any predispositions, however, the time travel aspect was cleverly handled - and though I am not usually a fan of open endings, the inclusion of possible futures, happy endings, and reunions was extremely touching, and a beautiful, cathartic ending to a high-action series.
Though I can’t mention them all, this cast was oozing with talent from beginning to end: Perry Robertson-Terranova’s ability to capture the extreme ends of the emotional spectrum, the overwhelming charm and charisma of Riley Mobbs and Dante Bombardieri, the nimbleness of Maddison Good. Every one of them showed passion and potential, and I hope they continue to appear on screen and stage in Adelaide and beyond!
Congratulations to the cast, crew, and the entire team at Now Productions on the conclusion of their first franchise - I look forward to whatever’s next!
By Jess Wolfendale
Coming into the franchise in its finale was a very unique experience. The film began with a helpful - if lengthy - plot recap that attempted to fill in the blanks of the world crafted to this point. These films are certainly not stand-alone, though the spy-genre beats (half James Bond, half Austin Powers) transcended any plot obstacles. We follow the heroes of the Australian Secret Service, lovingly referred to as “ASS”, and several rogue members of the police force as they track down notorious mastermind Le Marc and his team to halt their evil plans once and for all.
The highlights of the first act came from some clever sound design which invites the audience into a suspension of disbelief, looking past the young actors filling the diverse range of roles, and focusing us on the drama and action packed into the film. A mix of 007 smooth Jazz and Inception-like blaring brass sections give this film a unique flavour and mood.
The fight choreography of the opening scene was smooth and well-executed, a hand-to-hand style that the rest of the movie could have benefited strongly from, instead of the zany gun discipline of most characters which wore down the drama of the weapons over time. This film truly shines in the action sequences: sneaking through the aisles of a warehouse, guns drawn, the audience tensely anticipating every turn of the corner. The suspenseful build up of action was an excellent example of the best of the spy-movie genre.
Long panning single shots peppered throughout the film were the cinematic highlight, a modern trend dexterously executed by the team. Small technical difficulties like clipping audio and lack of coverage in some dialogue scenes were overcome by the sheer talent of the young cast.
Calleigh Grieger as Constable Lucy Jensen and Connor Russell as Jerry Chambers shared an excellent on-screen chemistry which comfortably carried the plot. Dialogue was natural and clear, and these actors created well-developed characters that were easy to empathise with and root for. Looking forward to seeing more from these two.
Kane Mobbs as The Chief and Maisy Jo Russell as Agent Percash often provided some refreshing banter and comic relief in their antics, their experience and leadership of the situation emphasised masterfully by incredibly detailed scar makeup (courtesy of Kylie Mobbs). Joined by the bold and loveable Hayley Henke as Agent Jessie Gold, she rounds out the kickass team incredibly well, especially when confronting - well, herself!
Contrastingly, the stoic duo composed of Adam Roling as Adam Andrews, and Zoe Mayes as Julie Bishop strode confidently through the story, bent on revenge. Their unwavering focus and drive were well-portrayed and I found myself both devastated and delighted by their arc’s conclusion. This storyline did not shy away from the grizzly details, and looking down the barrel of the gun was one of the most powerful moments in the film, carried expertly by this great pair of actors.
On the side of the villains, Isabelle Trezise as Gards, despite her short time on screen, was extremely menacing and powerful, a real presence that radiated through the screen. I struggled to keep my cheer silent when she uttered her final line - great stuff. Meanwhile Alex Richardson as Le Marc presented a well-rounded multi-dimensional character that was a very good example of twisted motives with an underlying sadness that the audience could easily empathise with. A difficult needle to thread, but one very dexterously achieved by Richardson.
A late addition to the action, Lali Wagland as scientist Toni Francs instantly earned their place as one of my favourite characters in the film. Evocative of the Abby Sciuto’s and Penelope Garcia’s of golden-age TV procedurals or (perhaps more recently) the loveable quirkiness of She-Ra’s Entrapta, Wagland’s sassy, intelligent portrayal of the character endeared me enough that I was intrigued at the brave introduction of time travel into a spy film.
Despite any predispositions, however, the time travel aspect was cleverly handled - and though I am not usually a fan of open endings, the inclusion of possible futures, happy endings, and reunions was extremely touching, and a beautiful, cathartic ending to a high-action series.
Though I can’t mention them all, this cast was oozing with talent from beginning to end: Perry Robertson-Terranova’s ability to capture the extreme ends of the emotional spectrum, the overwhelming charm and charisma of Riley Mobbs and Dante Bombardieri, the nimbleness of Maddison Good. Every one of them showed passion and potential, and I hope they continue to appear on screen and stage in Adelaide and beyond!
Congratulations to the cast, crew, and the entire team at Now Productions on the conclusion of their first franchise - I look forward to whatever’s next!
By Jess Wolfendale
Bianca Woods - "Congratulations, everyone! A great performance, full of humour and charm."
Kelly Reardon - "t was so good! We laughed so much and had a fantastic time! Well done everyone"
Kylie Mobbs - "Thanks Joe, I had the best time, I never thought id have the confidence to perform! You're an awesome acting coach, and your passion definitely rubs off on all of us. I wanted to thank Kane for the acting lessons and it was so much fun performing with you, as well as Riley and Kyle for listening and fixing up a few things when I'd say my lines all day lol. It really warmed my heart seeing how proud of me you were!
I had the best time and look forward to the next one, Everyone was so awesome and I loved getting to know you all x"
Stacey Stubbs - "Was a great show you were all so much fun to watch. You should all be really proud. I did also enjoy reading the signs at the back of the set after the show"
Kelly Reardon - "t was so good! We laughed so much and had a fantastic time! Well done everyone"
Kylie Mobbs - "Thanks Joe, I had the best time, I never thought id have the confidence to perform! You're an awesome acting coach, and your passion definitely rubs off on all of us. I wanted to thank Kane for the acting lessons and it was so much fun performing with you, as well as Riley and Kyle for listening and fixing up a few things when I'd say my lines all day lol. It really warmed my heart seeing how proud of me you were!
I had the best time and look forward to the next one, Everyone was so awesome and I loved getting to know you all x"
Stacey Stubbs - "Was a great show you were all so much fun to watch. You should all be really proud. I did also enjoy reading the signs at the back of the set after the show"
NOW Productions is a theatre group based in the Northern suburbs of Adelaide, which focuses on youth productions and events.
NOW Productions interpretation of Les Miserables was refreshing and innovative and follows the story of Jean Valjean, a former prisoner who makes good in the years before the French Revolution. Jean Valjean, while keeping his former life secret, experiences the ups and downs of life, and in unusual circumstances, adopts a young orphan girl, Cosette.
While Cosette grows up and falls in love for a passionate revolutionary, Jean Valjean's life is about to be turned upside down, when he stumbles across one of his former jailers, Javert.
From the minute you enter the theatre, you are part of the production. The floor is wreathed in smoke, making you feel that you are walking the cold streets of 19th century France and as you take your seats, actors are walking amongst the audience and simulating warming their hands at street lights.
While the whole production has been well cast, the roles of Jean Valjean played by Michael Hardy and Cosette's mother, Fantine, played by Diana Baddams, are particularly enjoyable with some of the finest young voices I have heard in some time.
The roles of Cosette's former guardians, Thenardier and Madame Thenardier (Joe Russell and Amanda Binns), police officer Javert (Zachary Baseby) and passionate revolutionary Marius (Kane Mobbs) are also well played by accomplished actors. Cosette's former guardians in particular bring comic relief to what is usually a quite serious and emotional story.
Not to be forgotten is the orchestra, comprised of many young people who provide an outstanding accompaniment.
While this is a small theatre group and not the slick production of the bigger multinationals, this group displayed a solid effort. Despite some minor sound and wardrobe issues, they were professional and there are some young people here who you will see in the bigger lights in years to come.
Les Miserables played to limited audiences, however, look forward to NOW Productions next production in October 2021, Oliver Jr to be played at the Shedley Theatre, Elizabeth. Applications are still open for cast (principal and ensemble) and production team.
by Annette Vandersluis (Weekend Notes)
NOW Productions interpretation of Les Miserables was refreshing and innovative and follows the story of Jean Valjean, a former prisoner who makes good in the years before the French Revolution. Jean Valjean, while keeping his former life secret, experiences the ups and downs of life, and in unusual circumstances, adopts a young orphan girl, Cosette.
While Cosette grows up and falls in love for a passionate revolutionary, Jean Valjean's life is about to be turned upside down, when he stumbles across one of his former jailers, Javert.
From the minute you enter the theatre, you are part of the production. The floor is wreathed in smoke, making you feel that you are walking the cold streets of 19th century France and as you take your seats, actors are walking amongst the audience and simulating warming their hands at street lights.
While the whole production has been well cast, the roles of Jean Valjean played by Michael Hardy and Cosette's mother, Fantine, played by Diana Baddams, are particularly enjoyable with some of the finest young voices I have heard in some time.
The roles of Cosette's former guardians, Thenardier and Madame Thenardier (Joe Russell and Amanda Binns), police officer Javert (Zachary Baseby) and passionate revolutionary Marius (Kane Mobbs) are also well played by accomplished actors. Cosette's former guardians in particular bring comic relief to what is usually a quite serious and emotional story.
Not to be forgotten is the orchestra, comprised of many young people who provide an outstanding accompaniment.
While this is a small theatre group and not the slick production of the bigger multinationals, this group displayed a solid effort. Despite some minor sound and wardrobe issues, they were professional and there are some young people here who you will see in the bigger lights in years to come.
Les Miserables played to limited audiences, however, look forward to NOW Productions next production in October 2021, Oliver Jr to be played at the Shedley Theatre, Elizabeth. Applications are still open for cast (principal and ensemble) and production team.
by Annette Vandersluis (Weekend Notes)
NOW Production’s Annie is great family fun for both performers and audience alike.
A large cast of youth performers, mostly pre-teens and teenagers, brings a high level of energy and enthusiasm to this production.
Miley Vincent is very well cast as Annie. The lead role requires a distinctive and strong voice to deliver that song “Tomorrow” and Miley is perfect for it. Kane Mobbs at 16 years old had the hardest challenge in playing Daddy Warbucks but he rose to the occasion with an air of gravitas and swagger and gave a very good rendition of Daddy Warbucks’ solo “Something was Missing”. Saphron Giannos as Mr Warbucks’ secretary Grace Farrell has a lovely voice that added strength and depth to many of the ensemble pieces. The orphans are a delight. They were all very good in their roles. Alyssa Faranda as Molly was charmingly cheeky. An assortment of ages and heights adds to the visual appeal of their song and dance numbers “A Hard-Knock Life” and “Never Fully Dressed”.
Madeleine Riggs as Miss Hannigan is marvellous, a comedic talent, and an instant favourite with the audience. Zachary Baseby as Rooster Hannigan nailed the oily con-man role, ably accompanied by Shannyn McKay-Lee as girlfriend Lily. This trio delivered one of the funniest song and dance numbers “Easy Street”.
The Bert Healey radio show and the Whitehouse meeting with President Roosevelt scenes were also well done by all and very funny. The ensemble pieces not only showcased the cast’s song and dance abilities but also some very nifty tap dancing.
Seven year old golden retriever Ginny played Sandy much to the joy of many children in the audience. Ginny was very well behaved and probably a little bemused by the applause.
Set design and scene changes were simple and stylish enabling this large cast to have access to the full stage. Sound quality varied a little but overall it didn’t matter.
The audience was fully masked due to Covid regulations but we were all smiles underneath.
Lesley Grady - Theatre Association of South Australia
A large cast of youth performers, mostly pre-teens and teenagers, brings a high level of energy and enthusiasm to this production.
Miley Vincent is very well cast as Annie. The lead role requires a distinctive and strong voice to deliver that song “Tomorrow” and Miley is perfect for it. Kane Mobbs at 16 years old had the hardest challenge in playing Daddy Warbucks but he rose to the occasion with an air of gravitas and swagger and gave a very good rendition of Daddy Warbucks’ solo “Something was Missing”. Saphron Giannos as Mr Warbucks’ secretary Grace Farrell has a lovely voice that added strength and depth to many of the ensemble pieces. The orphans are a delight. They were all very good in their roles. Alyssa Faranda as Molly was charmingly cheeky. An assortment of ages and heights adds to the visual appeal of their song and dance numbers “A Hard-Knock Life” and “Never Fully Dressed”.
Madeleine Riggs as Miss Hannigan is marvellous, a comedic talent, and an instant favourite with the audience. Zachary Baseby as Rooster Hannigan nailed the oily con-man role, ably accompanied by Shannyn McKay-Lee as girlfriend Lily. This trio delivered one of the funniest song and dance numbers “Easy Street”.
The Bert Healey radio show and the Whitehouse meeting with President Roosevelt scenes were also well done by all and very funny. The ensemble pieces not only showcased the cast’s song and dance abilities but also some very nifty tap dancing.
Seven year old golden retriever Ginny played Sandy much to the joy of many children in the audience. Ginny was very well behaved and probably a little bemused by the applause.
Set design and scene changes were simple and stylish enabling this large cast to have access to the full stage. Sound quality varied a little but overall it didn’t matter.
The audience was fully masked due to Covid regulations but we were all smiles underneath.
Lesley Grady - Theatre Association of South Australia
NOW PRODUCTIONS movie project. "TEN FOUR"
This movie was a new enterprise written by Joe Russell and based on the success of the most recent movies Agent Percash 1 and 2. This adventure was equally as secretive but not including the interactive element of optional story lines.
Synopsis:
An action packed, comical and family fun movie that discovers the criminal underworld of a small country town. A police force, ill-equipped to handle such a challenge - can they restore the peace and protect and serve their local community.
Time will tell!
This movie was a new enterprise written by Joe Russell and based on the success of the most recent movies Agent Percash 1 and 2. This adventure was equally as secretive but not including the interactive element of optional story lines.
Synopsis:
An action packed, comical and family fun movie that discovers the criminal underworld of a small country town. A police force, ill-equipped to handle such a challenge - can they restore the peace and protect and serve their local community.
Time will tell!
Now Productions is a relatively new company in the Northern Suburbs of Adelaide but this is no way reflected in their productions. This performance of Beauty and the Beast was slick, fast paced and didn’t let the audience down. Co-directed by Bianca Woods and Chris Brown, the cast were tight and well rehearsed. Choreography by Mandy Russell was well executed and the vocal training received by Robert Young and Amber Rusby was dynamic. All the cast had a role to play whether a principal or chorus and this was done exceptionally well with no bunching or hidden members which can happen with larger casts.
Jemmah Rattley played the role of Belle with insight far beyond her years. Her vocals were clear and clean throughout and often brought the audience to tears. Axel Flynn who played Gaston was so brash and cocky you could not help but to love him which many of the young female audience members obviously did, given the comments and whistles that ensued every time he stepped on stage. Aidan Good who played Lumiere had the audience in stitches more often than not with his comedic antics and Kane Mobbs as Cogsworth was the perfect foil for him with his hand-wringing. Standout vocals from Saphron Giannos as Mrs Potts were a joy to listen to. Her performance of Beauty and the Beast in the second half was truly amazing. Zachary Baseby as Lefou, Rhys Young as Chip, Madeleine Riggs as Babette, Taylah Knight as Madame de la Grande Bouche, Jade Watson as Maurice and Perry Robertson-Terranova as Monsieur D’arque rounded out the principal roles admirably. With an additional 41 ensemble members this was a large production by anyone’s standards and was a joy to watch.
Sadly there were only two performances and the sound was a major issue on opening night so not a lot of time to get it right. As much as I hate seeing a sound desk in the audience, there is a case for the technician to be right there hearing exactly what the audience hears and being able to adjust accordingly.
Again as there were only two performances it would have been hard to get tickets given Opening was near to full and I can only imagine Finale would have been the same. If you missed it, get in now for their next production of Les Miserables in July.
The Theatre Association of South Australia
By Jacqui Wall - March 2, 2020
Jemmah Rattley played the role of Belle with insight far beyond her years. Her vocals were clear and clean throughout and often brought the audience to tears. Axel Flynn who played Gaston was so brash and cocky you could not help but to love him which many of the young female audience members obviously did, given the comments and whistles that ensued every time he stepped on stage. Aidan Good who played Lumiere had the audience in stitches more often than not with his comedic antics and Kane Mobbs as Cogsworth was the perfect foil for him with his hand-wringing. Standout vocals from Saphron Giannos as Mrs Potts were a joy to listen to. Her performance of Beauty and the Beast in the second half was truly amazing. Zachary Baseby as Lefou, Rhys Young as Chip, Madeleine Riggs as Babette, Taylah Knight as Madame de la Grande Bouche, Jade Watson as Maurice and Perry Robertson-Terranova as Monsieur D’arque rounded out the principal roles admirably. With an additional 41 ensemble members this was a large production by anyone’s standards and was a joy to watch.
Sadly there were only two performances and the sound was a major issue on opening night so not a lot of time to get it right. As much as I hate seeing a sound desk in the audience, there is a case for the technician to be right there hearing exactly what the audience hears and being able to adjust accordingly.
Again as there were only two performances it would have been hard to get tickets given Opening was near to full and I can only imagine Finale would have been the same. If you missed it, get in now for their next production of Les Miserables in July.
The Theatre Association of South Australia
By Jacqui Wall - March 2, 2020
Recently I saw the newly badged Youth Theatre company Now Productions’ interactive movie Agent Percash in the Hewett Community Hall. And the experience was a great testament to the energy and ability of the company’s director, Joe Russell, and his cast, crew, and the large enthusiastic audience. In its earlier iteration the company has been active since 2013 in the Northern suburbs, Gawler and the Barossa, providing a dynamic youth theatre school and a variety of live and filmed productions. Agent Percash, while not strictly speaking live theatre, did have elements of that. The plot was basically Government agents vs crooks, set in a number of identifiable Gawler and Barossa venues. On many occasions during the screening the action stopped and we were asked to vote for one of several possible plot options, by holding up one of the coloured cards– provided on our seats – which matched our choice of options. A young member of the company, Cordelia Ferguson, ably hosted the screening, calling on the audience to vote when asked and sensitively judged the results. The movie showcased the skills of a number of skilful young performers, indicating the work they have done in the company’s classes. Lauren Pullan was splendid in the title role. Not only did she handle the extraordinarily large role very capably, but often had the job, on screen, of posing the audience questions about the next course of the plot. Her use of gesture – especially facial gesture – was subtle and compelling. Others to impress were Zavier Ludborzc, who had a natural flair as Andy Astrid, Libby Harding who played Agent Fitzgerald with real spark, Kane Mobbs who was an enigmatic Chief, and Aidan Good who made the most of his comic lines as Nicky Sisco, the Mafia boss. Joe Russell devised, wrote, filmed, directed and edited the entire film. He used clever techniques for special effects, the passing scenery while characters drove in vehicles and rotating ‘Game Over’ signs if the audience made a wrong plot choice. While some of the background sound FX occasionally overpowered dialogue, the film held up well for its technical competence. This is a growing and energetic youth theatre enterprise which, from the adoring audience response to this movie, is clearly serving the Northern communities well. It is a delight to see the arts developing so effectively in this way. As the cast and crew justifiably did at the end of this screening, take a bow, Now Productions!
The Theatre Association of South Australia
By David Smith - 4th November 2018
The Theatre Association of South Australia
By David Smith - 4th November 2018
***NOTE: This production features an alternating cast. The review which follows is of the Bang Bang cast***
For several years, under the direction of Joe Russell and Bianca Woods, Now Productions have been providing ample opportunities for the youth of the Northern suburbs to perform on stage in quality productions and musicals. After the previous success of Now Productions' shows Wizard of Oz, Oliver!, Joseph and the Amazing Technicolour Dreamcoat, and most recently Sound of Music, Now Productions return in 2019, with their production of Chitty Chitty Bang Bang, and it is their best one yet. Filled with catchy dance numbers and a stellar cast, it is a show which can be enjoyed by the whole family, and will be a hard show for Now Productions to beat in the future.
Chitty Chitty Bang Bang is the famous and award winning musical with music and lyrics by Richard and Robert Sherman (famous also for music and lyrics for Mary Poppins) and book by Jeremy Sams. This family-friendly show is a fun show based on the beloved 1968 film of the same name, and follows the journey of eccentric inventor Caractacus Potts and his two children Jeremy and Jemima. When Potts purchases an old race car from the scrap heap, he transforms it to its former beauty, and discovers it to have magical proprieties, which later save them from the troublesome Vulgarians.
Axel Moen and Indianna Rumsby are suitably cast as the tyrannical rulers of Vulgaria, Baron and Baroness Bomburst, respectively. Moen conveys the Baron's childlike, immature and whining nature well, while Rumsby effectively portrays the overly dramatic personality associated with the woman who hates children. Both actors also present and maintain a believable Vulgarian accent throughout. The comedic, dim-witted, oaf henchmen to the Baron and Baroness, Boris and Goran, are also well played by Aidan Good and Kane Mobbs, and provide much comedy to the show. Mention should also be made of Libby Harding, whose body language, facial expressions and characterisation, ensures that The Child Catcher is portrayed as one who is most terrifying.
Rhys Young and Ava Hughes, are simply adorable as Caractacus Pott's adventurous and imaginative children, Jeremy and Jemima Potts. Both actors provide an appropriate innocence and curiosity to their characters, and are joyful to watch.
For several years, under the direction of Joe Russell and Bianca Woods, Now Productions have been providing ample opportunities for the youth of the Northern suburbs to perform on stage in quality productions and musicals. After the previous success of Now Productions' shows Wizard of Oz, Oliver!, Joseph and the Amazing Technicolour Dreamcoat, and most recently Sound of Music, Now Productions return in 2019, with their production of Chitty Chitty Bang Bang, and it is their best one yet. Filled with catchy dance numbers and a stellar cast, it is a show which can be enjoyed by the whole family, and will be a hard show for Now Productions to beat in the future.
Chitty Chitty Bang Bang is the famous and award winning musical with music and lyrics by Richard and Robert Sherman (famous also for music and lyrics for Mary Poppins) and book by Jeremy Sams. This family-friendly show is a fun show based on the beloved 1968 film of the same name, and follows the journey of eccentric inventor Caractacus Potts and his two children Jeremy and Jemima. When Potts purchases an old race car from the scrap heap, he transforms it to its former beauty, and discovers it to have magical proprieties, which later save them from the troublesome Vulgarians.
Axel Moen and Indianna Rumsby are suitably cast as the tyrannical rulers of Vulgaria, Baron and Baroness Bomburst, respectively. Moen conveys the Baron's childlike, immature and whining nature well, while Rumsby effectively portrays the overly dramatic personality associated with the woman who hates children. Both actors also present and maintain a believable Vulgarian accent throughout. The comedic, dim-witted, oaf henchmen to the Baron and Baroness, Boris and Goran, are also well played by Aidan Good and Kane Mobbs, and provide much comedy to the show. Mention should also be made of Libby Harding, whose body language, facial expressions and characterisation, ensures that The Child Catcher is portrayed as one who is most terrifying.
Rhys Young and Ava Hughes, are simply adorable as Caractacus Pott's adventurous and imaginative children, Jeremy and Jemima Potts. Both actors provide an appropriate innocence and curiosity to their characters, and are joyful to watch.
Caractacus Potts is played by Michael Hardy, and he has been very well cast. In perhaps the most significant and challenging role of the show, Hardy is excellent; he has appropriate characterisation, charisma, and an excellent stage presence, always commanding the stage well. Hardy also managed well when the orchestra struggled to keep in time to his position in a song, and this is a testament his several years of stage experience, he is to be most commended for this. Potts' love interest, Truly Scrumptious, is played by Chloe Seabrook, and she is a true delight to watch and listen to. Seabrook suitably encapsulates the assertive, strong and independent, but also gentle quality of Scrumptious, and one could believe that Seabrook is an adult performer. However, at only 12 years of age, Seabrook displays both an acting and singing talent which is well beyond her years. She has an incredible future ahead of her in musical theatre, should she continue to pursue it, I would highly recommend that she does. Choreography by Mandy Russell is simple but fun, and easy for the actors to learn, and costumes by Kate Harding are of exceptional quality, and fit the era well. However, the true star of the show is Chitty herself, a prop lovingly donated by Pelican Productions. This car is an almost identical replica to the professional touring production, and features a flotation device, working headlights, and large extendable yellow and red wings, exactly as featured in the film and professional stage production. She is a true beauty to behold, and is well deserving of the thunderous applause when she is first revealed to the audience.
Sometimes it can be so easy to forget that producing a quality musical takes much time, hard work and effort, and requires teamwork from all involved; it is no easy feat. When Joe Russell, producer for Now Productions, had the dream of producing Chitty Chitty Bang Bang for Now's first musical production for 2019, he knew it was going to be challenge, and will take lots of work and effort from his team, but it is obvious that hard work and effort has been invested into this production, and it has paid off. This production demonstrates therefore that "teamwork can make a dream work, if you're not afraid to try." Joe Russell was not afraid to try, and I look forward to seeing what Now Productions will produce in the future.
Weekend Notes
By Thomas Day - 5th April 2018
Sometimes it can be so easy to forget that producing a quality musical takes much time, hard work and effort, and requires teamwork from all involved; it is no easy feat. When Joe Russell, producer for Now Productions, had the dream of producing Chitty Chitty Bang Bang for Now's first musical production for 2019, he knew it was going to be challenge, and will take lots of work and effort from his team, but it is obvious that hard work and effort has been invested into this production, and it has paid off. This production demonstrates therefore that "teamwork can make a dream work, if you're not afraid to try." Joe Russell was not afraid to try, and I look forward to seeing what Now Productions will produce in the future.
Weekend Notes
By Thomas Day - 5th April 2018
"Just watched the Wizard of Oz at Golden grove art center with our 3 years old. We all enjoyed it very much. Costumes were great, older kids were humorous and did a great job. Younger kids looked like they had fun, and followed along quite well.
Highly recommended taking kids along to these community shows.
Extra special moment when my Daughter met her favorite character "the wicked witch of the west."
Audience Member
By Nicole Burford - 8th Apil 2017
Highly recommended taking kids along to these community shows.
Extra special moment when my Daughter met her favorite character "the wicked witch of the west."
Audience Member
By Nicole Burford - 8th Apil 2017
"It was a great show! Congratulations to everyone involved."
Audience Member
By Nikoly Richardson
Audience Member
By Nikoly Richardson
Oliver!
"Congratulations, Joe Russell, Mandy Russell and Bianca Woods on yet another wonderful show. In such a short space of time you bring together a cast full of energy and passion. It's wonderful to see them all so clearly enjoying themselves on stage . Thank you for giving all your time and energy to make this happen."
Audience Member / Parent
By Elizabeth Ferguson - October 2017
"Congratulations, Joe Russell, Mandy Russell and Bianca Woods on yet another wonderful show. In such a short space of time you bring together a cast full of energy and passion. It's wonderful to see them all so clearly enjoying themselves on stage . Thank you for giving all your time and energy to make this happen."
Audience Member / Parent
By Elizabeth Ferguson - October 2017